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Fresh Breath

Fresh Breath

Slowcity.ca Open Mic with Fresh Breath, Eric Bolton, Brandy, Mobley, Ryan Maynard, Sylvan Esso, and Grizzly Coast,

Will McGuirk July 21, 2020

By Will McGuirk

Pump it up we are told, you are not trending they say, your SEO is a no no no, and we say we aren’t bothered, we will get there we say, we are slow for a reason we say but most importantly we are here period, we don’t chase the likes and shares, we just care and if you care too then like and share. So yah when That Eric Alper sent us this track from Kingsville duo Fresh Breath we are all over it like slow molasses.

“There’s a destructive nature, we think, to our collective obsession with social media and hand-held devices on our mental health and well-being. This song is a gentle reminder to be present and live in the moment.” - Fresh Breath


“There has been so much change in my personal life as of late, as there has been globally throughout this worldwide pandemic era, and also in the much needed time for raising awareness and education on racial disparities and discrimination, so for all of this I’m excited about ‘Genesis' and its meaning of a new beginning and moving forward in love and fresh breath.” - Eric Bolton






Tags Brandy, Indoor Recess, Grizzly Coast, Auteur Research, Mobley, Foster The People, Ryan Maynard, That Eric Alper, Sylvan Esso, Nice Marmot, Fresh Breath, Eric Bolton
photo by Norman Wong

photo by Norman Wong

METZ releases 'A Boat to Drown In', new album 'Atlas Vending' drops in the Fall

Will McGuirk July 21, 2020

By Will McGuirk

Intriguing video and then the Furry shows up unleashing the fury of this new track from METZ. “A Boat to Drown In” is the first single from the upcoming album, ‘Atlas Vending’, which will be out October 9, 2020, on Royal Mountain/ Sub Pop.

The single is a relentless headbanger, a numbing number that weighs in at over 7 minutes! and opens up a whole ship’s container of anticipation for the album itself. Its also the musical equivalent of pounding out day after day, blow after blow, a bloodied beating of this pandemic.

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Tracklist
1. Pulse
2. Blind Youth Industrial Park
3. The Mirror
4. No Ceiling
5. Hail Taxi
6. Draw Us In
7. Sugar Pill
8. Framed by the Comet’s Tail
9. Parasite
10. A Boat to Drown In 

Tags HiveMind, Metz, Royal Mountain Records, Sub Pop
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Dave Schoonderbeek releases video for 'The Pacer', new album 'Let It Beek available

Will McGuirk July 20, 2020
LetItBeek.jpg

By Will McGuirk

Its a night of red wine nostalgia, and kitchen sink sympathy for the dishes. Its a track by Dave Schoonderbeek with By Divine Right. Its from a very fine record called Let It Beek and it finds a cosy home between Pavement and The Sadies. There are copies of the album at Kops Records in Oshawa and you can give it a cozy home on your shelf.

Tags Dave Schoonderbeek, By Divine RIght, Let It Beek, video
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Slowcity.ca Open Mic with Julia Stone, Summersets, Matt Berninger, Ruston Kelly, The Hello Darlins, Sailmaker, Enterprise Earth, Devarrow, Lexxicon, Hollow River

Will McGuirk July 18, 2020

Beautiful tropical night here in Shwarawk City, sending you good vibes from the porch on the Snobbery Patch with the Neowise comet on the rise on the horizon. It may be all helter skelter shelter in place, stay home, play home but we say stay with us home crew as we tune in turn on and drop the needle on tune and tune and tune . . .










Tags Enterprise Earth, Indoor Recess, Devarrow, Paperbag Records, Lexxicon, Ruston Kelly, Summersets, Killbeat, The Hello Darlins, Jason Schneider Media, Hollow River, That Eric Alper, Auteur Research, Matt Berninger
Troy Junker - Press Photo 2020 - Purple - Steven Van - 15.2MB.jpg

Metis rapper and Durham College alumni, Troy Junker, to release 'The Path' July 20

Will McGuirk July 17, 2020

By Will McGuirk

Canadian Métis rapper Troy Junker has released a new track “4U” featuring LUVR, from the July 20, 2020 release ‘The Path’. Although Troy is originally from Saskatchewan he took a winding musical journey via Florida and arrived in Oshawa, signing up for Durham College’s Music Business Management program. While commuting to school he would pass Parkwood, home of GM Canada founder, which has a rich history but for Troy it was where the movie “Billy Madison” was filmed. That was the inspiration for his mix tape project, “Trilly Madison”. He has since graduated but we at slowcity.ca like to check in with our fellow alumni so we asked Troy some questions on whats been going on with the tunes and stuff.

Slowcity.ca: How was your time at Durham College and in Oshawa?

Troy Junker: “Even though Oshawa gets a bad rap, studying Music Business Management at Durham College was one of the best things I’ve ever done in my life. It was liberating studying something you really are interested in versus something easy or that pays well but you hate. I moved there only knowing one person (Fetchy) and I met a lot of my best friends at Durham. When I was younger, I dropped out of high school and didn’t care to study much but since I was interested in the music business, I didn’t miss any classes. I even made the honour roll because I enjoyed what I was learning. It was litty, the professors even let me do the assignments on myself to prepare for upcoming releases. I still speak to so many people today from the program.”

SC: What was the hip hop scene in Oshawa like during your time in the city - where did you hang, perform, create?

TJ: “We threw a few shows on campus but our program found a venue called The Moustache Club (RIP). They put on for a lot of local acts and they had a nice sound system. My roommate at the time Mike, was a big fan of throwing house shows on the college block, Dalhousie Crescent. That’s where we mostly hung, just around the college. I’d commute to Toronto often though to get involved in the music scene and get away for day/night trips.

“Durham College has a studio called, Push Play but I found it tough to book so I would create tracks in my room with my own equipment. I had this really big bedroom with a walk-in closet and I’d set up my gear in. When I’d do collaborations, I’d prefer to record in Push Play and then mix at home so there is a different vibe for the artists.

SC: How did the single “4U” come about, and why did you want LUVR involved?

TJ: “LUVR and I studied together at Durham College but for the time we studied together we never collaborated. We just hung out and became great friends. He recently moved to The Netherlands but came back to Toronto for a visit. While he was here, we spent a couple days cooking up beats and shortly after that, 4U was made. I wanted him involved because he’s so talented and has his own style. Once I heard his chorus, I was hooked and he was excited for me to lay down my raps so we made it happen. I feel like some songs are good and other songs are great and “4U “is one of the great songs.”

SC: I dig the Trilly Madison and Parkwood reference, you didn't shoot the video there however - tell me about the creation of the video for the song “4U”?

TJ: “The Trilly Madison EP was done a while back and “4U” is on the upcoming project, ‘The Path’. I didn’t shoot it at Parkwood because it’s really tough to book and gets to be too corporate when I tried to do stuff there in the past. Instead, we found a few locations in Toronto that suit the vibe better.

“I messaged my buddy The King Diverse to take care of the video. We never met until this year but both studied at Durham and have a few mutual friends. He’s been killing it lately shooting a lot of big videos in LA and I saw on his Instagram that he was back to Toronto for a month and I jumped on the opportunity to shoot with him. We did my parts here in Toronto and then LUVR sent footage from The Netherlands where him and his team filmed. After that, we shot the couples and I edited the video myself. It’s one of my favourite videos I’ve ever worked on.”

SC: Where does your heritage as Metis from SASK intersect in your music with your love of HipHop? Where did you hear HipHop first and why did it impact you so?

TJ: “It wasn’t until I started playing shows and dealing with adults that it started intersecting with my music. At the time, I was just in the streets doing wild shit. Being Metis really didn’t mean much to me when I was younger, I didn’t really think about it. We started playing more shows, travelling and meeting more people and I remember playing on a reserve and a promoter told me, “I wish you guys had cleaner content. There’s so many kids listening to you and the messages you’re putting out aren’t good”. After that, I started to make music with a little bit more of a positive spin to it. A few years later, I was shown a lot of support from Gabriel Dumont Employment and Retraining for my music and when we’d talk a lot, we spoke about how the kids back home go through so much shit. I started to think how my lyrics are very powerful on young kids and I need to make music to uplift people and not damage them.

“The storytelling of hip hop is what drew me in. The first rap song I remember hearing was “How Long Will They Mourn Me” by Tupac Shakur. The song was just so deep it made me go ‘Holy —’. As I kept listening to more hip-hop music, I was understanding how the artists I looked up to were expressing themselves and as a frustrated kid who just liked music, I started making my own. It gave me something to pass the time, create community, stay out of trouble, a way to make money, etc.”

SC: How have you been managing since Covid-19 hit?

TJ: “Since COVID-19 hit, I’m still giviner. I’m trying my hardest to video chat and talk to my friends and family more and passing time with making more demos from home. Right now, I’m living in Toronto and it’s kind of fucked up to be honest. Most of my friends dipped on the city and I’m right in the heart where things are weird. Things are getting a little better but it’s a weird time.

“On a positive note, I’m busier than ever with the release of, The Path. The only thing I wish I could do is go to Saskatchewan for a bit to visit my family and friends. Who knows, maybe I’ll be able to do that soon.”

Troy Junker - The Path Cover Art - 5.4MB.jpg
Tags Troy Junker, Indoor Recess, Durham College
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Crown Lands release 'End of the Road' - #mmiwg

Will McGuirk July 17, 2020

By Will McGuirk

There are tales to be heard, and shared, and understood, and acknowledged; pain and hurt and woe and deaths to be honoured. I can add no context to this track by Crown Lands with narration by Tanya Tagaq -> It is up to you now.

“ ‘End of The Road’ pays tribute to the Indigenous womxn, girls, and two-spirits who have gone missing or have been murdered on Yellowhead Highway 16 in British Columbia, which is referred to as the Highway of Tears. We are sharing this as reflective address of the disproportionate violence and ongoing injustices experienced by Indigenous communities with hopes to encourage education, discussion and action surrounding this national crisis. We don’t claim to have any answers, but we want use our voice to bring awareness and help make a difference.” - Crown Lands

Tags Crown Lands, Tanya Tagaq
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Dizzy 'Roman Candles' - remix by Gengahr

Will McGuirk July 17, 2020

By Will McGuirk

Dizzy’s new single, “Roman Candles” dropped two weeks ago and the band have released a remix by the English outfit Gengahr. Its a great song to play with and this play is worth a play or two or more.


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Kate Boothman gets back in the saddle on new single 'Please Don't Be Late'

Will McGuirk July 14, 2020

"‘PLEASE DON'T BE LATE’ is a song about a grown ass woman who doesn’t know how to give or receive love, but is wholly devoted to it. It's my north star. The song is the first track on the album so it's basically a love song to me, knowing full well that giving and receiving love has to start with learning to love myself.. So its that conversation. And its fucking confusing." - KB

By Will McGuirk

The fab Kate Boothman’s new track moves away from the heavy psyche of her previous album to something akin to the Cowboy Junkies ‘ ‘Caution Horses’. There’s a shambling, shuffling, gait of a rhythm to the track and of course here we understand slow is good, slow is very good but please don’t be late.

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Laurel Canyon vibes on Mattie Leon's new track, 'All The Time'

Will McGuirk July 14, 2020

By Will McGuirk

Yah there’s a whole lotta of dry Cali sun Mattie Leon’s, new track “All The Time” but also some of the NY rain he’s kicked through before. Crosby, Stills, and Nash and Paul Simon are a continent apart in ways but also just a cottage over in other ways. Mattie Leon is just aways over too.

Rob Baker, via supportcanadianvenues.ca

Rob Baker, via supportcanadianvenues.ca

Slowcity.ca Open Mic with Once A Tree, Twin Flames, Luca Fogale, Dana Gavanski, Astral Swans, Mo Kenney, and Color Fields

Will McGuirk July 14, 2020

By Will McGuirk

Music is fuel. Music is medicine. A music city is a healthy city. A music city is a wealthy city. Music is also labour not only leisure. Music is also work not only play. Slowcity.ca urges all our supporters to contact your local government reps to support for live music venues.


“We live in a world where people want instant gratification. But sometimes, chasing after that can leave you feeling empty, and the things that used to feel like magic lose their lustre.” - Once A Tree


“In the Arctic of Canada, Inuit People face the highest amount of suicides in the world, ‘Battlefields’ is a song to remind our people we have to fight our own minds to survive…” - Jaaji, Twin Flames



“I wrote this song as a reminder to myself and anyone listening to search for beauty and meaning in every piece of this life, however simple or complex, no matter the circumstance. 
- Luca Fogale



“Due to the ongoing revelations of harrowing injustice, and systemic racism against BIPOC throughout North America, all Bandcamp sales of “Bird Songs” will be donated to AWO TAAN HEALING LODGE SOCIETY based in my hometown of Calgary, AB, Canada.” - Astral Swans


“This song has a real solitary, lonely vibe that I think really reflects the times we’re all living in right now.” - Mo Kenney


“Animal is a song about our tendency to hide our true selves from one another, and what happens when we stop,” - Scott Packham, Color Fields

Tags Dana Gavanski, Killbeat, Auteur Research, Once A Tree, Indoor Recess, Twin Flames, Astral Swans, Mo Kenney, Luca Fogale, Nightshop Media, Black Panda PR, Color Fields
Overcoats

Overcoats

Slowcity.ca Open Mic with Overcoats, Avett Brothers, Figure Walking, Family of Things, Mear, Kandle Osborrne, HollowGraves, Avatar,

Will McGuirk July 9, 2020

By Will McGuirk

We have moved from binary to hybrid, from pixel to stream, from crisp to blur, from walls to windows, we are moving as one towards one with the language of music.

"This feeling of restlessness and being stuck in your room is common amongst all of us, so we wanted to make a video that made that frustration beautiful and made us feel like we were all together" - Overcoats




"YKB" is a testament to finding pathways to a brighter and kinder future, and quickly. Once the dust settles, when the high fades and the worry subsides, we can rebuild what it means to be human again and what it means to love fully.” - Family of Things


“It’s not necessarily a failure when a relationship ends, but perhaps rather a conscious, mature realization and a new beginning.” - Mear


Kandle Osborne · Better Man

HollowGraves · Tequila Sunrise

Tags Avatar, Indoor Recess, Auteur Research, HollowGraves, Overcoats, Family of Things, Avett Brothers, Mear, Kandle Osborrne

Slowcity.ca Open Mic with Haviah Mighty, David Strickland, Le Couleur, Grace Gillespie, the OBGMs, Alex Izenberg, Mike Block, Bros Landreth, Owen Barney, Chris Grey,

Will McGuirk July 8, 2020

By Will McGuirk

The vocabulary around electronic media is drawn from water - waves, streams, surfing, navigating, and the fuel for electronic media growth has been music. Music is as ubiquitous and necessary as water. Music is utility.

“Thirteen speaks factually and candidly, to the painful journey of Black people in North America. And it speaks to how that journey has morphed into continued racial prejudice, using the media and using the law. To get rid of white supremacy is to identify it at its root. I hope when people watch Thirteen, they feel moved to do their part in reversing white supremacy. I hope we can begin to see one another as equal – a dream I've always hoped could one day be a reality. And I hope people realize that it's going to take WORK! Who is willing to work, to make change?” - Haviah Mighty




“Much of my time is spent trying to reassure myself through rationalizing and acceptance, heard in the song’s verses, coupled with outbursts of inward frustration that I express in the choruses.  I think it’s a pattern we have all been through throughout lockdown. We are trying with all our hearts to make the most of this gift of time and be ‘grateful for the day’ but then realizing that we are sipping coffee and trying to create (or just get on with work) while ambulances are filing past.” - Grace Gillespie




Mike Block · Expression of Concern (feat. KINAN ADNAWI)


“As dancers, we express ourselves through movement. We tried to capture what it was like for us in that moment and empathize with those who were going through the same thing. It’s easy to forget we don’t fight this by ourselves, and this video is our way of reaching out to say we are there with you.” - Liam Caines, Royal Winnipeg Ballet



Tags The OBGMs, HiveMind, Le Couleur, Indoor Recess, That Eric Alper, Haviah Mighty, David Strickland, Auteur Research, The Bros. Landreth, Killbeat, Alex Izenberg, Hard Copy Media, Owen Barney, Whats The Story, Grace Gillespie, Mike Block, The Syndicate
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'Stay Focused' - excellence in new track from Devontée Woe

Will McGuirk July 5, 2020

By Will McGuirk

Stunning new track from Devontée Woe with relevant messaging. And the accompanying video by Loggo Lionel builds on the click-hop base, with a seemingly random selection of characters popping in like old-school do-the-robot-bust-da-moves. Note the crew wearing masks. Devonté’s W.O.E.stands for Working on Excellence. Job done I’d say all round.

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