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Evangeline Gentle, photo by Kristal Jones

Evangeline Gentle, photo by Kristal Jones

Slowcity.ca Open Mic with The Avett Brothers, Evangeline Gentle, Niki Black, Shirley Collins, Soccer Mommy, Aislinn Logan, and The Actual Goners,

Will McGuirk July 3, 2020

By Will McGuirk

Sticks and stones will break your bones but names can never hurt you but names, memes, avatars, icons, stereotypes do hurt. Cursory summaries, quick glances, are the building blocks of our entertainment economy. If you want to be known wear the same clothes. Every song has a hook, every act has a look. Avoid that rush to judgement, speed kills, slow down and learn up. We look too much and listen too little. Stop overlooking.


“I believe that our deepest connections are found through vulnerability which is why I feel compelled to sing this track completely unaccompanied.” - Evangeline Gentle


Niki Black · American Spirits - Niki Black

“Can I still connect with my America Spirits as the daughter of an Iranian immigrant mother? This song is an answer to that. Yes, I can and I will. But, this will come with a lot of uncovering and opposition against the unjust reality of what America has mean since its bloody conception and its chaotic, violent reality today.” -Niki Black




Aislinn Logan · What Everybody's After

 “It’s about those moments when you’ve felt like you’re truly on the same plane as those around you.” - Tristan Armstrong, The Actual Goners

Tags Indoor Recess, Avett Brothers, Soccer Mommy, The Actual Goners, Evangeline Gentle, Killbeat, Shirley Collins, Hard Copy Media, Aislinn Logan, Hot Press, Niki Black, Black Panda PR
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Durham Region tune news; Junos for Shawn, Meghan and Lennon, new tunes from Crown Lands and Dizzy

Will McGuirk July 3, 2020

By Will McGuirk

Well, you go away for a day and come back and its raining Junos in Durham Region. Congrats to Lennon Stella on the Breakthrough Artist of the Year Artist award and to Meghan Patrick for Country Album of the Year and to Shawn Mendes for Artist of the Year.

Also some new tunes from Crown Lands and Dizzy.

Remember music is our well. Drink deep.


Illustration and video by Theo Kapodistrias

Illustration and video by Theo Kapodistrias

Slowcity.ca Open Mic with Haviah Mighty, Midnight Shine, Carmanah, The Dears, Krief, Kim Mitchell, Kadeema,

Will McGuirk July 1, 2020

By Will McGuirk

Evening sounds like a war zone, a thunderstorm, an overhead jet and an air conditioner on full all at once. It also sounds like peace, safety, security, celebration. At least here. Elsewhere perhaps not so much. The day has moved from quiet to noise but has not strayed from contentment. At least here. Elsewhere maybe not so much.

“I am a first-generation Canadian, born and raised. My father was born in Jamaica, and my mother is Bajan, born in England. I have locks, dark, beautiful skin, and a full nose and lips.  As a Canadian, I’ve been told countless times that I don’t know what racism is, that I’ve never experienced racism, and that racism doesn’t exist in Canada. Because of our reputation as a safe haven, Canadians can be quick to separate themselves from Americans when issues of bigotry arise. Racism is alive and well in Canada, it is simply more covert. The 13th Amendment may be specific to the US Constitution, but it is not specific to US ideologies. Racism is worldwide. The perception of Black people has been destroyed globally.” - Haviah Mighty


“Everybody has a story to share, and I think it’s important for First Nations people to shed positive light on our culture and values. That’s what I hope to do with my music.” - Adrian Sutherland


“If you choose to take for yourself and leave nothing for others, sit down. If you intentionally hurt others or the planet for your own gains, sit down.” - Carmanah


“The question we’re asking in the music is, ‘how do we navigate so much bullshit in this world? We're still playing this dumb rock music. But there's always gonna be a little twist of the knife, cutting into something deep to make you feel like you're alive. To say, ‘I know what you’re going through. And I’m hearing you, and I’m with you.’ That’s what the music is supposed to do.” - Murray Lightburn, The Dears


Krief · 01 I Am The Pillar Of Darkness In Your Life

“I was sold a dream, but it wasn’t my dream.” - Krief


“Sometimes you don’t search for a part, you wait for it to arrive.”  - Kim Mitchell


Hidden Pony · Kadeema - Beat Up Car
Tags Haviah Mighty, Indoor Recess, That Eric Alper, Kim Mitchell, Midnight Shine, Jason Schneider Media, The Dears, The Syndicate, Auteur Research, Krief, Kadeema, Carmanah
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Dizzy's 'Roman Candles' light up the road to dreams coming true.

Will McGuirk June 30, 2020

By Will McGuirk

Doubt is the source of Oshawa-based band Dizzy’s new single ‘Roman Candles’. Even after successful tours and a Juno win, doubt about music as a career choice can creep in. Katie Munshaw of the band, (which also includes the Spencer Brothers; Charlie, Alex and Mack) says she has even considered several times leaving the band and choosing a different path.

“The first time I told Charlie our drummer that I was thinking about leaving the band I think it scared him. He was dropping me off at home one night and I said it before I got out of the car and then we never spoke about it again. I think I’ve said it sporadically a dozen times since then and he always just listens and then let’s me decide if I want to bring it up again, and I never do. I think deep down I know I’m doing the right thing for me and I am happy with where I’m at, but that doesn’t mean it doesn’t scare the shit out of me daily.”

That fear is explored in the new single just released and also in the accompanying video shot, Katie says, in a friend’s backyard in Alliston, ON. The song will be on the band’s forthcoming album, ‘The Sun & her Scorch.’

In the accompanying press release Katie says, “Roman Candles’ is about how insecure I feel being someone who’s pursued music as a job. I’ve often felt jealous of friends who’ve taken more traditional paths in life. Some have gone to university and have 9-to-5 jobs already and have to buy funny things like lawnmowers and cutlery. I know that sounds silly, but I have a real fear I’ll never own a home or be able to support a family because of the decision I’ve made, so of course that’s scary.”

Slowcity.ca wanted to know more so we dug in deeper. Lawnmowers and cutlery are signs of success yes, we agreed but asked Katie; What are your measures of success and who are your role models for success. Are there local successful musicians you can look to for a path?

“Haha those things sound a bit trivial when you say them back to me, don’t they?” she replied, “I really like this question because I’ve just recently started to think of success as something that looks different for individual people. I was talking to my friends about this the other day I was like “holy shit I feel like I’m falling behind, I’m barreling through my life with no sense of direction!” And they were like “why are you so concerned with buying a home? We don’t wanna buy homes yet?! Why are you thinking about settling down already? You’re in your twenties!” I think in the past I’ve made the mistake of marrying money and success as things that cannot exist without each other, which just isn’t true. I mean it’s something, of course, but under the umbrella of success financial success is just one category. My markers of success right now are being able to keep making music as my job and to keep writing songs with my band that I’m proud of. Would I like to buy a home that I can slink around in a nightgown with a martini in my hand, while hosting a neighbourhood Tupperware party, sure! Is it the end of the world if that doesn’t happen? Yes! Just kidding. No.

For all those who grow up in town where arts matter little it is normal for artists pursuing their passion to ask such questions. And maybe for Dizzy there have been few role models from Oshawa to point to and see how the dream of working at your passion is possible. Its something Oshawa as a city may need to explore but now at least younger bands can see a path forward lit by the “Roman Candles” set off by Dizzy.

Pantayo, photo by Sarah Bo

Pantayo, photo by Sarah Bo

Slowcity.ca Open Mice with Evening Hymns, Zaac Pick, Pantayo, Camelphat, Peter Katz, The Elwins, Birds of Bellwoods, Silver Clouds, Ruston Kelly, Robert Counts,

Will McGuirk June 30, 2020

By Will McGuirk

Are we going to replace gatherings with zoom meetings? Are we going to celebrate without touch, in isolation, alone, on social media? Do we need to see, feel, touch as well as hear music, musicians? Do we need to be in their presence for it to really matter.Do you crave the real thing or are you getting used to degrees of separation, of filters, of replicas of replicas of replicas? Do you want facade or fact? Or have you already been doing that for some years already?


“These songs are about learning to be more present to where I'm at, letting go, and taking responsibility, all themes that have taken on new meaning for me the past few months, as nearly everything has been turned upside down by a global pandemic and a much-needed civil rights movement.” - Zaac Pick


“In this karaoke music video, we imagine an uplifting New Earth where there is abundance and liberation. A hopeful world created as a result of dismantling white supremacy, fighting the lies of colonialism, and ending fascism and the oppression of marginalized peoples.” - Pantayo




“This is a story speaking to how everyone has to deal with the weight of the world in one way or another. That kind of brings us together in a sense. just a friendly reminder that everyone has got this shit feeling from time to time, some more than others, but all you can really do is to try and take it easy on yourself.” - Matthew Sweeney, The Elwins


The Drew Marshall Show · Birds of Bellwoods


"Pinebox is an invitation to look yourself in the eyes, let go of who you have been, and move forward. It is a song about self-reflection in a time of stasis, and releasing the weight we carry with us from our early years,” - Birds of Bellwoods


"'It describes a feeling of apathy, paralysis, and a fear of letting go of the known. We feel it's a rather fitting introduction to a band that, until the global pandemic, had remained in a state of self-imposed delay." - Rod Slaughter


Tags Camelphat, Indoor Recess, Killbeat, Evening Hymns, Zaac Pick, Pantayo, Pater Katz, The Elwins, Birds of Bellwoods, Silver Clouds, Ruston Kelly, Robert Counts, Jason Schneider Media, Auteur Research
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Slowcity.ca Open Mic with Yves Jarvis, Rachel Beck, Storry, Dirty Projectors, JR JR, The Rentals, Bretton Lee John, and American Grim,

Will McGuirk June 26, 2020

By Will McGuirk

The rainbow of a bruised eye.

The hues and cry of a riot. The stretched and ripping of separation. The birth of a rebellion. Identity is only won through a violent act. Anger is an energy. Nurture the righteous rage. Arm up with facts and dance moves.

“a tightrope walk between victor and victim,” - Yves Jarvis


“We hear the cries for change, but we just turn up the music and keep dancin' while the earth burns around us”. - Rachel Beck


“Be free, my friends, and watch how assortments of all kinds of love spring up all over the place. This song is for all queer love.” - Storry



“We were put up in a truly depressing casino, which featured an oxygen/IV fluid bar in the lobby, next to a tattoo parlor.” - Josh Epstein, JR JR




Tags Rachel Beck, Indoor Recess, Storry, American Grim, Auteur Research, Dirty Projectors, Hard Copy Media, JR JR, The Syndicate, The Rentals, Bretton Lee John
Jyoti (Georgia Anne Muldrow), photo by Pricilla Jimenez

Jyoti (Georgia Anne Muldrow), photo by Pricilla Jimenez

Slowcity.ca Open Mic with Jyoti, Lou Canon, Jonsi, Mike Edel, Luka Kuplowsky, Busty and the Bass with Macy Gray, The Lagoons, Shred Kelly, Seether,

Will McGuirk June 25, 2020

By Will McGuirk

Happy to spend time in the presence of Jyoti, the name given to Georgia Ann Muldrow by Alice Coltrane. The presence of the track in my feed reminds me of parallel worlds, cultures, lives which continue on, evolve, live, express and rarely cross my path. It is into these worlds we must challenge ourselves to step, I must challenge my self to step, to go beyond and understand the language of other cultures, other lives. And when its this good, this evocative, this clear, this expressive, this welcoming, this comprehensive well, who wouldn’t want to visit longer, and visit deeper. Its new tunes from an upcoming album Mama, You Can Bet!. Go forward with this and then go retrieve.


“This song is about pushing higher, going further, moving deeper. And engaging with the world in a sensual way. There is a passage by James Baldwin that encapsulates this sentiment, ‘To be sensual, I think, is to respect and rejoice in the force of life, of life itself, and to be present in all that one does, from the effort of loving to the making of bread.’”  - Lou Canon



“I don’t really feel the doubt, I just wanna sing it loud” - Mike Edel


“Written in an empty apartment shortly after moving in with my partner. A sincere expression of love. A sacred love song attuned to the natural world - thunder, wind, moonlight and a dolphin.” - Luka Kuplowsky



The Lagoons · Midnight Afternoon


Tags Lou Canon, Paperbag Records, Luka Kuplowsky, Killbeat, The Lagoons, Busty and the Bass, Macy Gray, Hard Copy Media, Jonsi, Mike Edel, Georgia Anne Muldrow, Jyoti, Sigur Rós
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Slowcity.ca Open Mic with Braids, Paul Kelly and Paul Grabowsky, Chris Bell, Jill Barber, Hello Moth, Satellite and The Harpoonist, Mallory Chipman & the Mystics, and Just Costa

Will McGuirk June 24, 2020

By Will McGuirk

Like the best of digging in a record store is getting something you didn’t know you needed. A record store should be the physical version of the zeitgeist. Here at slowcity.ca we aim to be the same online, we open the mic to pretty well anyone but today’s line-up is one of the most eclectic mixes in some time. Shout out to the acts and PR reps who continue to surprise us with their fab recommendations and support.

“Here 4 U is a song about love, about a fleeting relationship, about the aftermath, and about the desire to be there for someone in a new light. “The fear of love, the fear of what it means to give, and what it takes, to protect it.” It’s the swirling thoughts as love falls apart, and the pillars to hold on to throughout.” - Braids



Chris Bell · Whispering Town





Tags Paul Kelly and Paul Grabowsky, Jason Schneider Media, Auteur Research, Chris Bell, Jill Barber, Whats The Story, Satellite and The Harpoonist, Killbeat, Hello Moth, Indoor Recess, Braids, Just Costa, That Eric Alper
Photo by Caylie Runciman

Photo by Caylie Runciman

Reams of dreams fill Evening Hymns 'Heavy Nights'; new album drops Jun 26

Will McGuirk June 24, 2020
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“It was a really positive time making a pretty sad record. Haha. It does feel like the closest I've gotten to an expression of myself on an album yet” - Jonas Bonnetta

By Will McGuirk

Heavy Nights, the latest album from Evening Hymns (Jonas Bonnetta) is a dream world, in a time between the folding and unfolding of life, between the closing of eyes on one relationship and the opening of eyes onto another.

Heavy Nights is soft, soothing; songs brush with the casual caress of yacht rock, in the lap of a canoe, with the squeaks and squawks and soaring solos of sax on a beach, and the lulling lapping, slow slapping, leaning into the lightness of the night and of following the music into the dream which gives up the ghost.

“I wake up crying to a dream of you trying to walk
And then lying down calling on my dog over to talk
It was a sweet dream with nightmare intensity
Nice to see you Dad”

Its a heavy night, under the stars, watching the woodsmoke furl upwards away and in the ashes the sparks of a new light. Its a heavy night with family present, past and future, of the gatherings of friends and in the fullness seeing the absence in the centre.

Its the heavy weight of moving thoughtfully, succinctly, inevitably from son of to father of,

“Of course I live where you belong”

Slowcity.ca: Tell me about the genesis of the album?

Evening Hymns: “Well I'm always writing here and there and feel like I'll always be working towards a record. This collection started to take shape a few years back. I had a bunch of songs that started on the piano and then just stayed on it. I was loaned this Rhodes piano from a friend and it became the centre piece of the record. I was listening to McCartney solo records and Jackson Browne and The Blue Nile and Emitt Rhodes a bunch and wanted to make a keys-based pop record with bass, drums, and sax. Heavy Nights was born out of that... and the break up of my long relationship. I wanted to make a late night romantic poem on the piano.”

SC: What has been the impact on the album by where and how you are living, being remote, access to a studio - how has it shaped this record in contrast to previous releases?

EH: “This is actually the first record I self-produced. I really took my time with the arrangements. I ended up playing a lot of the drums and some bass. Messed about with the songs for a long time on my own. It was a really positive time making a pretty sad record. Haha. It does feel like the closest I've gotten to an expression of myself on an album yet. Having my own space out here just gave me time to obsess and think things through. It's a real gift.”

SC: You have some guests, are they long standing relationships or brought in for sessions? Why were they chosen?

EH: “Well I knew early on that I wanted Joseph Shabason to play sax. He's a bud and an incredible musician. I love what he adds to other peoples tunes. Always very musical and thoughtful. I also was a fan of his solo instrumental work. There's a real sensitivity to it that I adore. Sending tracks out to him was a real treat. The most recent touring band for Evening Hymns helped me lay down the initial ideas. Caylie Runciman on drums and Phil Charbonneau on bass. We toured some of these songs before we recorded them which was helpful and the two of us spent a week together in the beginning recording these. A few other buddies show up. Josh Daignault on bass and some drums. We've toured together and have a project together. José Contreras added some guitar. I played on his record last year and he's a creative force and I just wanted him to be a part of this. My friend Edwin Huizinga played the strings. We also collaborated on a record that came out this year called Dark Watchers. So all good friends and collaborators.”

SC: Obviously the usual album drop routine has changed due to Covid what are your plans for performances going forward?

EH: “No clue man. I'm happy for this record to find people wherever they're hunkered down. Hopefully late at night. Once things get going again I'd love to play some of these songs for people in nice small rooms with candles. Bass, drums, sax, and Rhodes. I hope it gets to happen.”

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Slowcity.ca Open Mic with Sameer Cash, Katie Pruitt, Troy Junker, Juke Ross, Gold Star Gold Star, Leela Gilday, Soccer Mommy, Daysormay

Will McGuirk June 22, 2020

By Will McGuirk

Watched a piece today on art galleries opening. Options included drive-thru and route markers. Most of these solutions seemed geared to getting numbers into the gallery and had little to do with the focus of a gallery which is, or at least should be, the artist and the art. In some of the galleries people were giving a certain amount of time and then had to move on. What a ridiculous and disrespectful notion! One needs time with art, the best art demands time, and rewards the time spent. One can read a novel several times over a lifetime and get something different each time. Art does that, art transcends time. Any gallery which puts a time limit on the experience of art is away in the before times and those times and infrastructures gave a platform for this Covid-19 virus. The same infrastructures will not offer us a way out. What will will be the creativity and invention and ingenuity of the artist. Rather than limiting exposure to art we should be maximizing it in all ways possibles. Art is the roadway we need to take to get out.

“With the rest of the world tucked under their covers endlessly scanning the news, we were present for the shift in real life, minute by minute. It all seemed so surreal, it was hard to relate to. Hard not to joke about. That night, we were all living in the active transition from one world to the next, we could feel it, it felt so close, yet so large and so out of reach.” - Sameer Cash


“To me, Pride Month is all about celebrating self-love. This year, we might not have the parties or parades, but it’s never really been about that. ‘Pride’ is a feeling that we find within ourselves. It’s a sigh of relief that we don’t have to hide anymore or alter our personality or preferences in order to make a Cisgender society more comfortable. So, when straight people ask, ‘Why don’t we have straight pride?’ I always respond with, ‘because society never told you to be ashamed.’” - Katie Pruitt





Leela Gilday · Giants


Tags Juke Ros, Indoor Recess, Gold Star Gold Star, Auteur Research, What's The Story, Leela Gilday, Daysormay, Katie Pruitt, Sameer Cash, Killbeat
PUP, photo by Jess Baumung

PUP, photo by Jess Baumung

PUP up the jams in quarantine video for "Anaphylaxis'

Will McGuirk June 19, 2020

By Will McGuirk

Moving over to let PUP in. . .

“During our quarantine, I couldn’t go to our jam space. I also live in a small apartment and my neighbours understandably get very annoyed and/or concerned about my mental state when they hear me yelling my head off about getting stung by bees or killing my bandmates or whatever garbage these dumb songs are about. So I started making demos and recording in my car in a parking lot across the street from my house. Every few minutes, cops would slowly drive past to see what the unhinged kid in the busted up Ford Escape was doing. But I’m white, so lucky me, my biggest worry was that they’d judge my precious lyrics. White privilege is real. Defund the police.” - Stephan Babcock, PUP

Tags PUP, Killbeat
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#SupportCanadianVenues - Federal aid requested by CIVC to support indie venues through Covid-19

Will McGuirk June 19, 2020
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By Will McGuirk

Slowcity.ca doesn’t carry much weight with the big guys, with the industry, we rarely get PR from the majors and are never offered interviews with the famous. But thats Ok because we take pride in our ability to provide a platform for new voices, for new bands trying out new sounds. We are proud of our work with acts from Durham Region and we are very proud that two artists from our beat ( we have been at this for three decades remember) are speaking up for indie venues who are suffering tremendous losses during this pandemic. Indie live venues are very much part of the fabric of a slow city. And music matters more than ever, music heals and it begins in the smallest of places first.

“I spent most of my life growing up in these smaller venues playing shows, learning how to be a better band. And I think that they’re super important for the culture landscape, of at least my own city Toronto, and many other places. I think they deserve support, we need to help our independent venues because they’ll continue to help us” – Chris Slorach of METZ 

"The Ministry of Heritage needs to see this Music Industry as an important aspect of Canadian Culture, and we're just looking for some guidance, and most importantly some support.” – Brendan Canning of Broken Social Scene.

Of course there are cases where a bedsit artist uploads to Bandcamp and all of a sudden makes it huge but for most artists it is a slog from one indie venue to another, wearing the road as a badge and paying the dues. Small indie venues across Canada are where it happens. And they are under threat. Here in Durham Region the Music Hall in Oshawa has closed for good already. They are the not first and they will not be the last. We need action now.

The Canadian Independent Venue Coalition is made up of hundreds of concert venues, performance agencies, independent promoters/presenters, production companies and independent music festivals across Canada. They came together to address concerns around venue closures due to COVID-19. In collaboration with the Canadian Live Music Association and other industries, businesses and non-profit organizations, they are advocating for emergency support funding and an economic stimulus package for the independent Canadian live music and touring sector, which was the first to close and will be the last to open.

Here at Slowcity.ca we join with the CIVC in calling for the federal government to introduce specific relief and recovery assistance for the live music and touring sector.

Please share this call to action.

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YOUTUBE
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Tags #SupportCanadianVenues, Auteur Research, Metz, Broken Social Scene, Federal Government
Moscow Apartment

Moscow Apartment

Slowcity.ca Open Mic with Idles, Troy Junker, Thea May, Moscow Apartment, , Ketch Harbour Wolves, Glassreel, Bullrider, and All We Are

Will McGuirk June 18, 2020

By Will McGuirk

Pause. Do you recall when we paused. Not that long ago. Have you forgotten in your rush to go back before the pause. Pause again and recall the pause. Time to contemplate, take the time to reimagine what you want the future to look like and importantly to sound like. What voices do you want to hear, whose voices do you want to hear from? Pause again and listen.





Ketch Harbour Wolves · 04 - Exodus

“The song, with its slow atmospheric build and sombre lyrics, is a reflection on a city undergoing massive change: influxes and exoduses; appropriations and dispossessions, caused by intentions that range from the benevolent to the unkind.” - Ketch Harbour Wolves




“The celebration of the positive things was our focal point with this record. We could never have known what sort of world we’d be releasing this record into but our goal was always to try to bring people joy amongst the sorrow”.
- Richard O’Flynn, All We Are

Tags Idles, Ketch Harbour Wolves, Glassreel, That Eric Alper, Indoor Recess, Troy Junker, Thea May, All We Are, Hard Copy Media, Moscow Apartment, Auteur Research
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