BEAMS are playing the Moustache Club Thursday Apr 5. Annie Sumi is opening. BEAMS have a new album, Teach Me To Love.

By Will McGuirk

Berlin baby, it has the pull, the pull of the nightlife - Cabaret and Kraftwerk, Bowie, Reed, Iggy and Peaches, It’s a Feistian bargain BEAMS has struck, the capital of cool imbues the Toronto band’s latest album, ‘Teach Me to Love’ but there is an accessibility, dare one say pop, to the avant-folk ramblings of Anna Mernieks, brothers Keith and David Hamilton, Heather Mazhar, Mike Duffield, Craig Moffatt and Martin Crawford.

Second single from Beams' forthcoming album Teach Me To Love Written by Anna Mernieks and arranged by Beams Recorded at Toronto's Union Sound Co by Ian Gomes As a true collective, the seven-piece ensemble's sound brings together elements of country, bluegrass, folk, and avant garde to create music that echoes long-dead Appalachian voices while bravely injecting that spirit into 21st century pop.

The album marches in with simple sturdy strident sounds, mix up Kraftwerk’s “Computer Love” and Neil Young’s “Computer Age” and then play lead on a banjo or conversely just listen to the first three tracks. BEAMS play synth-pop who knew with nary a synthesizer in sight, I’m looking at you “Live In The Real World”.

“Pull of the Night” has Martha & The Muffins “like a loaf of bread in the oven you look good to me” baked in - could be the accent.

The journey through the anything goes world of Berlin the Myth continues on “I Notice Every One” which flutters on every one from Dave Brubeck to Focus to the Beatles.

As the album progresses it moves into more prog-folk territory, with the music becoming a subtle cradle for the voices of Mernieks and Mazhar, sonics ease, less stilted Kraftwerk more the wash of Tangerine Dream, albeit covering “Heroes”, as though nothing could fall.

Ultimately its the harmonies which hold up BEAMS and with such a strong core the band can play around with the walls, whether them walls be from Berlin or no.

No videos yet for the new album but here’s some oldies but goodies.

Directed by Christopher Mills (http://www.numberfourfilms.com/) Written by Anna Mernieks and arranged by Beams Recorded at Toronto's Union Sound Co by Ian Gomes As a true collective, the seven-piece ensemble's sound brings together elements of country, bluegrass, folk, and avant garde to create music that echoes long-dead Appalachian voices while bravely injecting that spirit into 21st century pop.

Music taken from "The Gutters and the Glass" Video concept and design by Caterwaul Theatre Video performed by Daniel Briere, Sarah Fairlie, Erin Fleck, Marcus Jamin and Allie Marshall Written by Anna Mernieks and arranged by Beams Recorded and mixed by John McEntire at Soma EMS Purchase at https://beamsbeams.bandcamp.com/album/the-gutters-the-glass As a true collective, the seven-piece ensemble's sound brings together elements of country, bluegrass, folk, and avant garde to create music that echoes long-dead Appalachian voices while bravely injecting that spirit into 21st century pop.

From Beams debut album "Just Rivers" Directed by Luke Higginson and Mike Duffield Edited by Luke Higginson Written by Anna Mernieks and arranged by Beams Produced by Peter J.