Slowcity.ca: Can you give me an overview of the band, how long together and where you are all from?
Torin: “When I was 18, around 2014-15, that's when the embryonic Pretty emerged. It was a lot more punk/grunge back then. a bunch of lineup changes and consistent gigging solidified a sound over the years, until we formed the current lineup (more or less) around 2019. With everyone in the group now I think we've really found our sound which is psychedelic but with a healthy dose of punk aggression and attitude. It's psych without all the flower-sniffing.”
Eliot: “We're all from the GTA. Will, Brian (Heyes, keys) and myself are from Toronto and Torin and Morgan (Zych, drums) are originally 905ers but have been in the city for a long time now.”
SC: How did you hook up with Aaron Goldstein, love his involvement - and pedal steel on psych, what are your thoughts on that, a one off or do you think it's something to explore deeper?
Eliot: “We connected with Aaron through Facebook of all places. There is a group on there that does buy/sell/trade and is also a good repository of expertise from Toronto music professionals, so I just made a post on there asking if anyone would be down to work with us. We wanted to experiment with live-off-the-floor recording, where the whole band performs as one unit, rather than just recording one instrument at a time as we were used to. We met with Aaron, he was a great guy and he got what we were after, he was into our demos, plus he had a 16-track tape machine which kind of blew our minds. Needless to say that's what the balance of Sertraline Dream was recorded on.”
Torin: “Pedal steel has been a feature of psych music for decades, so it would be cool to explore and record more when we have more studio time. The pedal steel that's on Sertraline Dream was a very spur-of-the-moment Aaron Goldstein improvisation, which sounded amazing and really fit the whole vibe of that record.”
Eliot: “We definitely didn't plan on having the pedal steel. It was the end of the last, marathon recording day and Aaron looked at me and said "so am I playing on this or what?" And I replied "well, do you want to?" And he said "yes, absolutely." So that's how we got the pedal steel done. It was very cool of him to do that.”