Her own career opened with ‘Didn’t It Rain’ released in 2015. Her sophomore album ’This Too Shall Light’ arrived in 2018 on Yep Roc. The gap between the albums is explained by her choice to focus on her two children, on family rather than fame, she says in a phone interview from the road on the way to her infamous home in Woodstock, NY.
Growing up in such a famous musical family gave her first hand experience of the effects touring and recording schedules have on musicians. Alcoholism and addiction were a constant, absenteeism too. It was not a functional space to grow up in. In response she has strived to be better at balancing parenting with performing, to be as good a mom as she could be she says, thus the time between her albums.
Levon Helm passed away in 2012. Amy had reconciled with her father, nursing him in his decline, healing their relationship. They had grown closer over music, Amy played in his Midnight Ramble band, co-produced his Grammy winning album, ‘Dirt Farmer’ and recorded his album ‘Electric Dirt’ and ‘Ramble at the Ryman’, both of which won Grammys in the new category, Americana. It’s a name, Helm says, no musician, who falls under the genre, really likes.
It is a style which is said to begin with the influential rootsy rock ‘n roll of The Band. Regardless of the name of the genre, the work of Levon Helm and the other members of a group which bridged the musical heritage of Canada and the USA, is inside the songs of Amy Helm. And certainly being the daughter of Levon, and being the child of a drummer resonates deeply in her work.
On ‘This Too Shall Light’ there is a pronounced rhythm in all of the songs, a bounce, even in the slower numbers. Helm says the first thing she ever lays down when she sings, is the drums.
Producer Joe Henry wanted a spontaneity to the recording session so he had asked her not to rehearse or play around with the tracks ahead of schedule which took place over four days in Los Angeles. Helm says in reply the only thing she did do was sing along to a drum track.