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'The Way I See It' - Mikki H photography on display at Station Gallery Sat. Feb 1

Will McGuirk January 31, 2020

By Will McGuirk

Big shoutout and congrats to slowcity.ca photog Mikki H who has a show of her work opening Saturday Feb 1 at the Station Gallery in Whitby.

Mikki’s history with concert photography goes back to the 90s, way before she joined us here at the slowcity.ca. She has photographed all the greats then and she brought her great photog skills to us and we are most grateful for her support and her artful shots.

Now her own photography will be on display at the Station Gallery in Whitby and we couldn’t be more proud. The show opens Feb 1 and runs until Mar 22 2020.

Since joining us Mikki has become known as ‘Our Lady of the Ladder’ as she brings one with her to get even upper-more close to her subjects on stages in Shwarawkville. Its this dedication to her craft which turns out such great shots.

So many kids think having an camera makes them a photographer, Mikki shows the most important element of photography is the eye not just the lens. Its the way she sees what she sees that turns the craft into art.


Pete Smith, The Roots that Clutch, 2019

VAC brings in new year with Pete Smith exhibit

Will McGuirk January 8, 2020

By Will McGuirk

The art of Bowmanville -based Pete Smith will be focus of the Visual Arts Centre’s first exhibit of 2020. “Stein’s Law” will open Sunday Jan 19 at the gallery as well as at the Clarington Town Hall and the Library.

The exhibit’s title “Stein’s Law” references the American economist Herbert Stein’s theories on sustainability. Its a timely discussion.

Smith completed his BFA from York University in 1998 and his MFA from the University of Guelph in 2007. He has held solo exhibitions in various parts of Canada and around the world and his writings on art have appeared in Canadian Art and Border Crossings magazines. He is a lecturer in drawing and painting at the OCAD University. 

“Stein’s Law” is on until Mar 29 2020.

Collective exhibit at Artspace 236 in Uxbridge opens Nov 29

Will McGuirk November 14, 2019

By Will McGuirk

Several of the finest artists in Durham Region have a collective art show at Artscape 236, located in Sandford, just north of Uxbridge, ON. Featured artists include Fly Freeman – Sculpture, Judith Tinkl – Quiltmaker, Heather Smit – Ceramic Artist, Wendy Bermingham – Painter, Gretel Boose – Sculptor, Jasmine Rutschmann – Metal Artist, Nancy Newman- Handmade Purses, Constance Laing – Gilder, Amanda Brittin – Silversmith and Francis Muscat – Glass Sculptor. The show opens November 29 with a reception and music by Chris Saunders at 7 p.m.

Z’otz* Collective, excerpt from the series After Reading the Book Twice, 2019

Z’otz* Collective's 'Waiting Outside of My Hand' exhibit at VAC

Will McGuirk August 31, 2019

By Will McGuirk

The Z’otz* Collective was formed in Toronto in 2004 by three artists of Latin American heritage; Nahúm Flores, Erik Jerezano, and Ilyana Martínez. Their exhibit “Waiting Outside My Hand” opens at the Visual Arts Centre in Clarington Sept. 8 and runs through to Nov 3 2019.

The term Z’otz* refers to the bat god in Maya mythology, a part of Mesoamerican mythology in which personified forces of nature and deities play a main role. The Z’otz* Collective produces drawings, paintings, sculptures, and large scale murals using a rotating system with each group member taking a sequential turn in making a mark.

“Waiting Outside of My Hand” is an exhibition that explores the notion of a space “in which to nest”. A niche may be thought of as a recess or shadow box, to contain elements within a larger configuration. Using this as a point of departure, Z’otz* Collective produces contemporary niches in the form of boxes varying in size and strategically placed within a site-specific mural. Their niches will contain various objects sourced from the grounds surrounding the VAC. Each niche serves as a container of juxtaposed items that together suggest a narrative, forming an interconnected network of stories.

Previously the Z’otz* Collective have shown work at the Montreal Museum of Fine Arts, Dunlop Art Gallery, Union Gallery, YYZ Artists’ Outlet, Cambridge Galleries, and the MacLaren Art Centre.

The opening reception is 2 – 4 p.m. on Sept. 8.

Lindsay Hill

Artist Lindsay Hill rises above personal struggle to create Our Oshawa mural

Will McGuirk August 28, 2019

By Will McGuirk

Whilst driving along Taunton in north Oshawa last week I noticed an artist painting on a Bell box just east of Ritson. I suspected this was the outcome of the project created by the city’s Public Art Task Force. I am a member but my recent work schedules conflicted with meetings and I regret to say I have not been involved in this project and its subsequent activation.

So much to the chagrin of my child travelling with me that day, I stopped, introduced myself and found out Lindsay Hill is the artist and yes, she is one of the artists chosen by the PATF for this mural project sponsored by the City of Oshawa. The Bell Box Murals Project is an independent community-engaged art program of Community Matters Toronto.

We agreed to follow up the conversation by email.

Q: What is your background in art?

“Art has always been something I use to bring joy and a sense of flow into my life. Ever since I was young I enjoyed making illustrations for friends and family with the sole purpose to make them laugh or smile. Likewise, if I had a bad day, I would draw to make myself feel better. I took art throughout high school but never understood are as a viable career path. At the time I didn't know any professional artists, and I didn't know the available career paths for artists. For a brief moment I considered graphic design, but a friend of mine told me ‘graphic design is a dying field’ and that was the end of that. I remember seventeen-year-old me crying in my guidance counsellor's office about how art was the only thing I enjoyed doing but there were no job prospects (again, at age seventeen. . . the pressure we put on our youth is ridiculous). He helped me sort through some options, and I landed on interior design as it seemed like the most sensible option. I applied and got into Ryerson University for interior design.

“My favourite class while at RSID was by far my first year drawing class. Along with other assignments, we had this weekly assignment called "emotive spaces" where we would have to convey emotion through our drawings. While most of my classmates dreaded the weekly assignment and much preferred working on their design work, I relished the time I dedicated to my emotive spaces. I clawed my way through school and soon enough I had four years and an internship under my belt. I began to have a funny feeling that this was simply not for me, but I continued on working in the field for years. In my last year of university I experienced a tragic lost. While this loss put things into perspective, it also shined a light on how serious and cruel the world can be, and I spent a few years after that quite depressed.

“A little over a year ago I got back into drawing for fun. The tragic loss I had experience paired with my rekindled passion turned my depression into motivation, and I decided that life is simply too short to not take chances and do the things you love. With this new outlook, I quit my full-time interior design job to pursue illustration head-on. Now, I create things that make me smile. I think to myself ‘gee, it would be hilarious to see some pancakes dancing around with a jar of maple syrup’, then draw it. It's a bonus if other people enjoy them too. Since starting to illustrate professionally, I've illustrated a series of children's books for a non-profit, opened an Etsy shop and created a variety of consumer goods and painted two murals.”

Q: how did you hear about and get involved in this project?

“I saw a call for submissions two days before the deadline through Project Bellbox (I have followed that project for some time now, it's been a great way to discover new artists). With a limited amount of time, I planned on sketching something up that evening to submit. Luckily, out of the blue, my boss gave me the Friday off, so I was able to spend a little bit more time refining it.”

Q: what was the inspiration for your piece and what are you hoping it will bring to the area?

“Because of my upbringing, my work is heavily inspired by nature and community. Growing up in North-East Whitby I reaped the benefits of the many nature reserves in Oshawa that often go overlooked, from exploring Camp Samac as a young Girl Guide to school trips to the McLaughlin Bay Wildlife Reserve. These quiet oases are often overlooked when outsiders, even residents for that matter, think about Oshawa. We tend to get so caught up in the hustle and bustle of our growing city that we forget to pause and appreciate what nature has already gifted us. My Bellbox is a gentle and playful reminder that nature is right in our backyard. The illustration itself is busy, revealing new things at every glance. My intent with this was to replicate the feeling of being in nature, that there's always more to see if you take a second, third or fourth glance.”

So there you go, the city of Oshawa just got a little more interesting. There’s art to be discovered, to be seen. But take more than a glance, take a good look, take the time to really appreciate Lindsay’s work.

Print Works on display at WAAC

Will McGuirk August 7, 2019

By Will McGuirk

Oshawa -based artist Margaret Rodgers will be showcasing her prints on linen as part of the Women’s Art Association exhibition of printmaking. The show runs Aug. 19 to Aug. 29 2019. Opening Reception is Aug. 22 at 5:30 p.m. See the website for more information.

Olex Wlasenko reveals all May 6 at Station Gallery

Will McGuirk May 2, 2019

By Will McGuirk

Artist and curator Olex Wlasenko is hosting another art talk at the Station Gallery in Whitby. Wlasenko has the inside track on the hidden codes and encrypted messages in the great art works. This hour long presentation will reveal all Monday May 6 at 1 p.m.

'Local Love' at the Living Room, Kiri Ward exhibit opening Saturday May 4

Will McGuirk May 1, 2019

By Will McGuirk

Saturday drop by the Living Room Community Art Studio for the opening reception of Nautical Summer - a collection of Mixed Media pieces by Kiri Ward. This is the second in their "local love" series, exhibits featuring local, emerging artists, which we support like we support everything the Living Room does.

Susana Mingram - Grade 11 - ‘Portrait in Oil’

For Arts Sake - DDSB students display at the RMG

Will McGuirk April 16, 2019

By Will McGuirk

Although this exhibit closes Apr 20, I didn’t want to let it pass with highlighting it here at Slowcity.ca. I took a stop in on Sunday past and was wowed by the talent on display. Really great works. These are high school students but their age is not a factor in the works on display. Unfortunately there are only a few days left, the exhibit did open Apr 4 so as the kids say , My bad!

Students from right across Durham Region, Ajax HS, Anderson CVI, Brooklin HS, D.A. Wilson SS, Dunbarton HS, Eastdle CVI, G.L. Roberts CVI, Henry Street HS, Maxwell Heights SS, O’Neill CVI, Pickering HS, Pine Ridge SS, Port Perry HS, R.S. McLaughlin CVI, Sinclair SS and Uxbridge SS are included.

Subjects are diverse but there is a concentration on portraits. An indicator perhaps of the environment these young folks are growing in, one of selfies and celebrities

I fear however I won’t see these artists develop locally. We will lose many of these young folks and their creativity to other communities because we do not have the infrastructure, either higher education opportunities or a gallery system to show and sell works, in place here in Durham Region.

We need to do more to keep them here, provide employment and educational opportunities here. Anyway pay attention to the children, they are making the future before our eyes.

Shout out too to arts faculty right across the Region, you are doing good work.

Emily McKinley - Grade 12 - ‘Untitled’

Aria Dhanilal - Grade 9 - ‘Snake’

Hua Jin, Forest (inverse detail), 2017. Inkjet print, 30 x 30".

Crossing Place is the theme for RMG Fridays May 3

Will McGuirk April 15, 2019

By Will McGuirk

The Robert McLaughlin Gallery monthly showcase of music and art continues May 3 with Crossing Place as the theme. Native Other, who are scheduled to play Oshawa’s Crossing Point festival, and also hard rockers Weapons. Photographer Hua Jin, winner of the ‘RMG Exposed 2018 Community Choice’, will have an exhibit opening, "The Trees Want to Remain Quiet, but the Wind Won't Stop." The Durham Region International Film Festival (DRIFF) will screen two shorts, “Pollyanna” by Roman Gubin and “LEO” by British filmaker, Julian Alexander. Details here ->


RMG BA10 - photo by Steven Frank

Broken Arts breaks up - Ten years of making things happen in Oshawa ends

Will McGuirk April 5, 2019

By Will McGuirk

Thank you Broken Arts.

Ten years ago Harley Pageot received a flyer to an event in his letter box. It was for a show I was promoting downtown Oshawa. That flyer drew Pageot downtown and galvanized his intent to build all-ages collective which would engineer a change for the arts in Oshawa. Broken Arts was born.

Through various incarnations and members the BA endured until tonight.

Artwork by Dani Crosby

The Robert McLaughlin Gallery hosted the last performance. This photo is of the kats who made it to the end.

So thank you to all the members of the BA for all their community building endeavours. Y’all should be very proud of your efforts.

James Kirkpatrick - catch the wave of 'To The Unseen Future' at the RMG

Will McGuirk March 4, 2019

old south 42x54 Sail fabric, sail bag, rope 2016

Follow the artist they say, I say. Navigate with a follow, follow James Kirkpatrick, the London ON., multi-artist, his works are on display now at the Robert McLaughlin Gallery, “To The Unseen Future” includes sculpture, found art, game consoles, interactive sound pieces, cut-outs and paintings. The gig is a playhouse of form and foam. There is a lightness to his view of the crickety Jenga-architecture this whole life we live, is, lived on and in.

Follow him as he skims the flotsam and jetsam of the modern world, surfing from one wave to another, sweeping in, one hand in the stream for balance as he carves a curve and heads in another direction, backwards, forwards to “the unseen.”

Follow him as he duck dives in and under sound waves, air waves, new waves, steady, ready as the tide turns. Follow him as he drops in to the modern mass of media, riding each break, catching another, using each platform as a base for his art, adding another layer to the modern media mass through his own art, another base for another artist to layer on another base, on and over, layer upon layer, rising up and out, 360 degrees, an incredible tower of babble for the hip-hop nation.

Sampling, scrambling, remix, transforming everything is in everything, discovery by addition, Kirkpatrick is an avant-garde archaeologist; the abandoned, the discarded, the obsolete is his canvas, the bits and bytes, the broken and bruised is the beauty of the possible; in the future unseen who knows what has worth?

All the all of the now and then is as much to us as anything, the street is equal to the elite, the back alley is equal to the front gallery, the thread is to the wire, the organic is to the electric and the current flows between all, waves to be surfed, voices to be carried; paint a door on a wall and walk through. Follow the artist.

Updated Mar 4 - Photo essay by Steven Frank.

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UOIT/DC students create pop-up soundtrack 'To the Unseen Future', exhibit opens at RMG Mar 1

Will McGuirk February 28, 2019

Chukwuemeka (Eme) Ocheli, and Benson Wisdom, two students from UOIT and Durham College, on a visit to the Robert McLaughlin Gallery, took a liking to a central piece of James Kirkpatrick’s exhibit which opens Friday Mar 1 2019.

Slowcity.ca contributor and videographer, Steven Frank, was also visiting at the time and captured the two students creating an on-the-spot jam.

There is so much to unpack in this short clip. This random act is exactly what Kirkpatrick was creating an environment for. Using everything from drawing, painting, sculpture, textiles, zines, mask-making to experimental sound improvisation parsed through hip-hop culture Kirkpatrick, through his own creativity has created an environment where other’s creativity is sparked and manifested.

In his own exploratory works, Kirkpatrick is building a foundation stone for a future for cities. Who wouldn’t want a gallery where folks can feel so comfortable as to interact on their own terms, with the art on display. and who wouldn’t want to live in a city where such an act can happen? “To the Unseen Future” blurs the lines between artistic disciplines but also between the art and the beholder and the gallery and the city which surrounds it.

More information on the Kirkpatrick exhibit here ->

James Kirkpatrick, Most Changes (detail), 2017, spray paint and acrylic on board

Afraa Alam of DoodleDoughnuts.co exhibits at Living Room Mar 2

Will McGuirk February 27, 2019

By Will McGuirk

Poster, video, web link -> - what do you need me for - just to connect you with their story, doesn’t matter who writes it - dig in, learn who is doing what in your neighbouhood.

Covers  - Olex Wlasenko

Station Gallery curator Olex Wlasenko pulls back the covers on censorship in his latest art talk

Will McGuirk February 20, 2019

Information wants to be free, but there are those who know and don’t want you to know. For reasons at times admirable and at times nefarious (mostly) gatekeepers have put a lock on things over the centuries. But Station Gallery curator Olex Wlasenko is hosting an art talk about all those bits and pieces banned from view, searching the nooks and crannies and creases of history to get you closer to the truth. It will all be revealed during his art talk.

Naughty Bits: Censorship in the Arts begins at 7 p.m. on Thursday, Feb. 21 in Gallery B.


Wlasenko’s art talk heralds Freedom To Read Week which runs Sunday Feb 24 to Saturday Mar 2 this year. This is the 35th anniversary of the movement to oppose censorship and promote freedom of expression. Freedom to Read Week is a project of Canada's Book and Periodical Council.

Check out this timeline of bannings and book burnings, really interesting.

In 2016, Freedom to Read Week, reached out to some Canadian Booktubers and content creators to share what Freedom to Read means to them.

How do you get to Carnegie Hall? Practise! and Paint Nights at Gallery 67

Will McGuirk February 18, 2019

Gallery 67 launches its new digs with a paint battle and fundraiser for O’Neil’s Chamber Choir’s performance at Carnegie Hall in New York. Gallery 67, the home of the Oshawa Art Association opened last year in an unused section of the Holiday Inn Express. Now that the space has been leased OAA looked and found a new home at 50 Richmond Street and they will celebrate with an art battle. All entries in the battle will be on silent auction with proceeds going to help offset costs for the choir’s trip to perform at the prestigious Carnegie Hall.

How do we connect those who are making the future? Slowcity.ca is how.

Will McGuirk January 23, 2019

I believe the future belongs to those who make it. Slowcity.ca is my project. We connect people who make things with people who make things happen.

We are a tool, a resource, a database, a community conversation, a place for makers, a connector, a technology, a template, an art and we are a platform to help you activate the environment you need to thrive.

It began as the art of transition, from manufacturing to manufacturers, from one idea to many ideas.

Slowcity.ca enables the transition to happen through storytelling. We are and have been at the centre of this change. We have been connecting, slowly, over time, organically, a network, a tree.

 We grow up and we grow down deeper, channelling stories up into the crown. Or is it up into a cloud?

falkenberg _t_dreamscape.jpg catalano clouds trees ladders.jpeg ToniHamel_TheAdjustment_22x30inches_GraphiteWatercolourOnPaper_2015.jpg

Are we a STEM like tree or a STEAM like cloud?

 We are STEAM; Science, Tech, Engineering, Mathematics and Art. STEAM is the new energy source to fuel the successful transition of Durham during this time of massive disruption in traditional sectors.

Who knows what the future will bring? The artists who are making it. 

“And so the arts are for survival purposes, and for navigation purposes and as such are indispensable even at the most homely and humble levels.”  - Marshall McLuhan

Look closely at the swirl of information we swim in. See the patterns. We do and we see too the next step in the pattern before others because we are inside the swirl. We have learned to navigate by art.

We see the makers in the stream, the environment art creates; it is a circle, a sphere, 360 degrees. The future is not in front of us anymore, it is all around us.

Slowcity.ca documents the creative makers of Durham Region. Our reach across all platforms is measurable but our true measurement is by how many makers we have aided in activating their dreams.

Mirjana Simeunovich is a photographer. We began with small shows at clubs in downtown Oshawa. She now regularly covers shows at the Oshawa Music Hall, the Tribute Community Centre acts, the Regent, is selling her photographs to bands and has debuted her first solo exhibit at Cork and Bean. She also shoots now for Snap Oshawa/Clarington.

Joe Szek is a retired teacher with a deep love of community theatre. He wanted to write. Joe began writing about Durham Region based theatre groups. He is now invited to many performances across southern Ontario, in small towns and in the major centres such as Toronto and Straford. He is also the chief Toronto critic for OnStage blog.

Chris Wunderlich is a musician and a videographer. He wanted to build a magazine with a specific focus on the Region’s graphic arts community, along with prose writers and poets. Wunderlit is the result. Its now on its fourth issue and is produced every three months.

Wunderlit uses the deep collaborative network slowcity.ca has built as a source for content. We used the template and data we have to curate a launch at the RMG in 2018. It was an evening of readings, spoken word, pop-up theatre, hiphop and ambient music on one of the coldest night of the year; 200 people came out.

Slowcity.ca solves problems by creating opportunities, managing projects and sourcing funding for these creative entrepreneurs. We connect them with our tribe of people who care and with our greatest resource, the tribe’s trust.

We ask you to join our trusted circle and invest in cultural innovators and blue sky thinkers.

Apologies to all the artists whose images I have used here without their permission - Top to bottom : Jay Dart, Edward Falkenberg, Matt Catalano, Toni Hamel, Frances Ferdinands, Edward Falkenberg. Contact helloslowcity@gmail.com for any necessary corrections.

IN TOWN. 40”x40” oil on canvas

Stewart Jones' 'Landscapes For Film' opens at Wall Space Gallery in Ottawa Feb 8

Will McGuirk January 23, 2019

Prince Edward County based artist, Stewart Jones, built his reputation as a chronicler of urban scapes, grasping at light, glimpsed as it is between walls, crowded out by looming buildings or trapped by power and transit lines. His work focuses on the kind of streetscene CBC host Rick Mercer would take as a rantable space. Jones paints from the angle of one familiar with the eye of the camera, the moving camera and there is a kinetic energy to his work whether it be the back alleys of Toronto or the roads leading into the small towns of P.E.C.

His latest show, at Wall Space Gallery in Ottawa Feb 8 - 28,2019, titled “Landscapes for Film” is fuelled by his work as an animator, as an artistic director for film as well as a painter. The paintings double both as a tale and a place within which to tell a tale, they are both civic history and civic possibility, both enclosed and wide open..

The opening reception takes place Friday Feb 8 and it too as its own added layer. The opening doubles as a fundraiser for Ottawa Riverkeeper, part of the Swim, Drink, Fish Waterkeeper Alliance along with Lake Ontario Keepers, an organisation supported by Jones for many years.
Midtown Brewing Company of Wellington, P.E.C. will be on site. The reception runs 5:30 p.m. to 7:30 p.m.

Legends of Adelaide House Art Gallery, 1946-55: R.M. Lambert talks to art writer Daniel Farr

Will McGuirk January 22, 2019

Adelaide House in Oshawa was the site of one of Canada’s first Abstract art shows. Organised by Painters 11 founder Alexandra Luke and art teacher Dorothy Van Luven, the exhibit by the Art Committee of Adelaide House featured a young protege, Ronald Malcolm Lambert. This weekend Jan 25/26 2019, Lambert returns to the house 70 years later to host a solo show of his works from that initial show.

Arts writer Daniel Farr interviews Lambert about his story and the history of the all women led innovative show at Adelaide House, built for the daughter of Col. Sam McLaughlin, CEO of GM Canada.

Feminist Land Art Retreat, still from No Man's Land: The Trilogy, digital video, 2018

Feminist Land Art Retreat opens Jan 19 at Robert McLaughlin

Will McGuirk January 18, 2019

If you believe Hollywood the West was opened by one man alone in his struggles, his only friend his horse. Free Rein, which opens Saturday Jan 19, 2-4 p.m. at the RMG, is an installation by Feminist Land Art Retreat (FLAR), which through the use of video upends the Western film mythology from patriarch astride his steed to one of interdependence and mutual survival. The video triptych follows the relationship between a number of women and their horses.

FLAR launched in 2010 with an ad and since then has had a run of exhibitions including No Man’s Land, ACUD Gallery, Berlin; Heavy Flow: The Re-Release, Ginerva Gambino, Cologne; and Duty Free, Studio for Propositional Cinema, Düsseldorf, as well as Free Rein which opened initially in Vancouver at the Audian Gallery.

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