Robert McLaughlin Gallery presents new exhibit 'Edge of the Visible'

Oshawa's Robert McLaughlin Gallery is getting close to the edge, The Edge of the Visible. The new exhibit features twelve works by Kingston-based photographer Robert Boudreau. The show, curated by Linda Jansma, opens Oct 1 2016 and runs through to Jan 29, 2017.

Boudrea is a technical photographer who uses film and silver gelatin prints with a unique gold chloride solution added. He deals in black and white. His technique is interesting in so far as he adds farness to the process, he emphasizes distance, the space between him and his subjects. He gets as close to the edge of his subject, close enough to be seen but close enough hint at the unseen - the known knowns and the unknown knowns so to speak.

Petals, patterns and paths, Kirk Mechar exhibit on at Navillus Gallery in Toronto

Looking for the present? Looking to make sense of this world of ours, this fragmented, diluted, disassembled, broken-down world of ours. Look no further than Kirk Mechar and his latest exhibition which opened Sept 9 2016 at the Navillus Gallery in Toronto.

Mechar’s methods involve mixing marble dust with oil paint, creating works with depth and volume, moving the image into the sculptural reign. The resulting creations provide a glimpse at an answer for our modern quest. Mechar builds beautiful pictures of the present, this reflecting, rearranging, reassembling, evolving, ever fluid present.

Mechar continues his exploration of flowers in the New Works exhibit but these are far from still lifes, they burst forth with growth and possibility, the possibility that within nature we may find the patterns we need to follow on, the patterns we need to navigate the very uncertain future we have created for ourselves.

The exhibit is on until Oct 8. 

Hollerado/ TUNS - Moustache Club Sept 8 - a photo essay

A photo essay by Mirjican Simeunovich

Road warriors Hollerado paid a return visit to the Moustache Club in Oshawa. They brought Royal Mountain labelmates TUNS with them, a super group consisting of Mike O'Neil, Matt Murphy and Chris Murphy. Great tunes from their debut S/T - Hollerado too are touring new material but swung into a few fan faves.

TUNS at The Star Mill Street Sessions.

Sally Thurlow's new exhibit opens at the Red Head Gallery Sept. 10 2016

Here at SlowCity we are fans of Sally Thurlow and always look out for new work from the Durham Region based artist. Sally has an uncanny ability to see the animate in the inanimate. Her reimagination finds expression in her use of found objects, nature's discards discovered on her beach walks. With the deftest touch of paint or the slightest addition of a piece of wire or rope or a spring she imbues the found with a life force, an energy and a personality.

Sally has a new exhibit opening Sept 10 2016 at the Red Head Gallery in Toronto. Systems Failure centres on four pieces, Expectations I - IV.

Will the great expectations be met? That is up to the viewer.

The opening reception runs 1 - 5 p.m., the exhibit is on until Sept. 24 

Is Canada a Group of Seven painting or a song by a band of five? The Robert McLaughlin Gallery's "Land Sea and Air" or the Hip's "Bobcaygeon"

Interesting timing from the Robert McLaughlin Gallery presenting Land, Sea and Air: Works from the Permanent Collection. The exhibit opened Aug 18 and runs through to Jan 22 2017. It explores the country's landscape through “portraits” of the Canadian topography. It is curated by Linda Jansma and works by Norval Morrisseau, Rita Letendre Emily Carr, Elizabeth Wyn Wood, Robin Mackenzie, Jim Davies, Alex Cameron, Yvonne McKague Housser and many others spanning the years 1860 to 2010.

Its interesting of course for many reasons but I find it more so in light of the recent cross-Canada gathering of Tragically Hip fans from coast to coast to coast on Aug 20 2016 for The Hip's Kingston concert. That show has been sensed as the band's last as lead singer Gord Downie, Canada’s unofficial poet laureate,  has terminal cancer. It was viewed on CBC platforms and had an audience of 11.7 million. What that says to me is that the idea of Canada has moved from the physical to the digital and from the visual to the aural. Downie's career has undergone assessment by critics and public alike, the end result being an agreement the man has become the voice, if not the face, of Canada. The voice was heard right around the world and it spoke of an agreed upon view of the Country. He brought this country together like no other.

Alexandra Luke, Moonlight - Banff, 1945, oil on canvas. Gift of Mr. and Mrs. E. R. S. McLaughlin, 1971

The “portraits” of Canada on display have literally overnight turned into artifacts, historical documents of a place that has ceased to be. Of course there is no attempt by the Gallery to present them as anything but Canada as it was, however there is always the idea that art can help us understand the future.

That future caught up with us in the words and sounds of the Tragically Hip. As Canada sets up to celebrate 150 years as a country it has grasped the digital realm firmly and will no longer be viewed in terms of just geography nor of history. Canada has embraced itself as an idea, one with no frame, no boundries, available online and in sound.

The question to be answered then by the exhibit and the artists of Land Sea and Air is, not who saw what in Canada but who heard what? A trip to the Gallery is a must now.